Lauren Young on the cover of Garage Girl Spring/Summer 2011 Issue
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Valerie Weigmann on the cover of Rogue Magazine's inaugural Sports Issue (April 2011)
Rogue Magazine FB
PH: Mark Nicdao
PH: Mark Nicdao
Styling: L.A. Consing Lopez
Make-up:Jen Delica
.Hair: Rence Bondoc
Production Design: Dindo Pangalangan, Elmer Pueblo and Che Katigbak
Balenciaga and Spain, the Art of Cristobal Balenciaga
Cristobal Balenciaga: "His name became synonymous with perfection and elegance."
~ Baroness Pauline de Rothschild, 1973
On March 26, 2011, the de Young Museum in San Francisco opens Balenciaga and Spain, an exhibition curated by Hamish Bowles, European editor at large of Vogue, featuring 120 haute couture garments, hats, and headdresses designed by Cristobal Balenciaga (1895-1972). The exhibition illustrates Balenciaga's expansive creative vision, which incorporated references to Spanish art - with the iconic 1939 Infanta dress, a modernist interpretation of the dresses worn by the Infanta Margarita in Velazquez's celebrated portraits - bullfighting, dance, regional costume, and the pageantry of the royal court and religious ceremonies.
As legendary fashion editor Diana Vreeland described him, "Balenciaga was the true son of a strong country filled with style, vibrant color, and a fine history,"who" remained forever a Spaniard....
You can feel the pulse of Spain beat in every garment in Balenciaga and Spain. A dress ruffle and polka-dot patterns inspired by the flamenco dancers; sumptuous embroidery and embellishments that glitters on a bolero jacket worn by a matador; clean and simple lines that extrapolate the minimalist rhythms and volumes of the vestments of Spanish nuns and priests; a velvet-trimmed evening gown aesthetically indebted to the farthingale robe of a Velazquez Infanta.
Cecil Beaton hailed him as " Fashion's Picasso." " In his work Balenciaga shows the refinement of France and the strengh of Spain. He uses fabric like a sculptor working in marble."
Cristobal Balenciaga. Detail of cocktail dress of fuchsia silk shantung and black lace with black silk satin ribbons, summer 1966. Fine Arts Museums of San Francisco, the Eleanor Christensen de Guigne Collection (Mrs. Christian de Guigne III), gift of Ronna and Eric Hoffman. Photo by Joe McDonald/Fine Arts Museums of San Francisco.
~ Baroness Pauline de Rothschild, 1973
On March 26, 2011, the de Young Museum in San Francisco opens Balenciaga and Spain, an exhibition curated by Hamish Bowles, European editor at large of Vogue, featuring 120 haute couture garments, hats, and headdresses designed by Cristobal Balenciaga (1895-1972). The exhibition illustrates Balenciaga's expansive creative vision, which incorporated references to Spanish art - with the iconic 1939 Infanta dress, a modernist interpretation of the dresses worn by the Infanta Margarita in Velazquez's celebrated portraits - bullfighting, dance, regional costume, and the pageantry of the royal court and religious ceremonies.
As legendary fashion editor Diana Vreeland described him, "Balenciaga was the true son of a strong country filled with style, vibrant color, and a fine history,"who" remained forever a Spaniard....
You can feel the pulse of Spain beat in every garment in Balenciaga and Spain. A dress ruffle and polka-dot patterns inspired by the flamenco dancers; sumptuous embroidery and embellishments that glitters on a bolero jacket worn by a matador; clean and simple lines that extrapolate the minimalist rhythms and volumes of the vestments of Spanish nuns and priests; a velvet-trimmed evening gown aesthetically indebted to the farthingale robe of a Velazquez Infanta.
Cecil Beaton hailed him as " Fashion's Picasso." " In his work Balenciaga shows the refinement of France and the strengh of Spain. He uses fabric like a sculptor working in marble."