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Showing posts with label Gagosian Gallery. Show all posts
Showing posts with label Gagosian Gallery. Show all posts

Damien Hirst: The Complete Spot Paintings 1986-2011. An Exhibit of Candy-Color Dots

British artist Damien Hirst's best known works are his paintings, medicine cabinet sculptures, and glass tank installations. For the most part, his paintings have taken on two styles. One is an arrangement of color spots with titles that refer to pharmaceutical chemicals, known as Spot paintings. The second, his Spin paintings, are created by centrifugal force, when Hirst places his canvases on a spinner, and pours the paint as they spin.

Hirst's first spot paintings were made for the exhibition Freeze, which he organized in an empty warehouse in the London Docklands district, while he was a student at Goldsmiths College in 1988. Twenty years later, Hirst has produced more than six hundred such paintings on canvas.

The exhibition The Complete Spot  Paintings 1986-2011 by Damien Hirst will take place simultaneous at all Gagosian Gallery's eleven locations in New York, London, Paris, Los Angeles, Rome, Athens, Geneva and Hong Kong, opening worldwide on January 12, 2012. Conceived as a single exhibition in multiple locations, The Complete Spot Paintings 1986-2011 makes use of this demographic fact to determine the content of each exhibition according to locality.

Included in the exhibition are more than 300 paintings, from the first spot on board that Hirst created in 1986; to the smallest spot painting comprising half a spot and measuring 1x1/2 inch; to a monumental work comprising only four spots; and up to the most recent spot painting completed in 2011 containing 25,781 spots that are each i millimeter in diameter, with no single color ever repeated.

In conjunction with the exhibition will be the publication of The Complete Spot Paintings 1986-2011, a fully illustrated catalogue of all spot paintings made by Hirst from 1986 to the present.

I was always a colorist, I've always had a phenomenal love of color.... I mean, I just move color around on its own. So that's where the spot paintings came from - to create that structure to do those colors, and do nothing. I suddenly got what I wanted. It was just a way of pinning down the joy of color.
~~ Damien Hirst


Damien Hirst: The Complete Spot Paintings 1986-2011
Methoxyverapamil, 1991
Photo by Prudence Cuming Associates
© Damien Hirst and Science Ltd. Courtesy Gagosian Gallery

Aminoantipyrine, 1992
Photo by Prudence Cuming Associates
© Damien Hirst and Science Ltd. Courtesy Gagosian Gallery

Controlled Substance Key Painting, 1994
Photo by Prudence Cuming Associates
© Damien Hirst and Science Ltd. Courtesy Gagosian Gallery

Levorphanol, 1995
Photo by Prudence Cuming Associates
© Damien Hirst and Science Ltd. Courtesy Gagosian Gallery

Iminobiotin Hydrazide, 1995-1996
Photo by Prudence Cuming Associates
© Damien Hirst and Science Ltd. Courtesy Gagosian Gallery

Bromchlorophenol Blue, 1996
Photo by Prudence Cuming Associates
© Damien Hirst and Science Ltd. Courtesy Gagosian Gallery

Eucatropine, 2005
Photo by Prudence Cuming Associates
© Damien Hirst and Science Ltd. Courtesy Gagosian Gallery

Damien Hirst: The Complete Spot Paintings 1986-2011
Opening worldwide on Thursday, January 12, 2012 at Gagosian Gallery
Courtesy Gagosian Gallery
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Yayoi Kusama: "Flowers That Bloom at Midnight"

As fall cedes to winter, the Jardins des Tuileries in Paris will be enlivened by Yayoi Kusama's vibrantly colored Flowers That Bloom at Midnight, a series of unique large-scale sculptures. This is the first time these sculptures will be seen in France. The presentation by the Musee du Louvre - which coincides with Kusama's major retrospective at the Centre Pompidou - is consistent with the museum's ongoing initiative to integrate contemporary art into its broader historical and cultural program. This special project has been realized with the support of Gagosian Gallery.

The first known photograph of Kusama as a small child is an arresting image: her beautiful face with its grave expression appears above a cluster go gigantic dahlias, each bloom larger than her small head. Flowers have continued to populate Kusama's imaginary since the beginning of her career, and it is evident that the monstrous flower sculptures of today have their origins in the surrealistic specimens that pervade the landscapes of her early paintings.

Nicknamed the Polka Dot Princess by the paparazzi in the 1960s when she lived in New York City,Yayoi Kusama was born in Matsumoto, Japan in 1929. Like other great women artists such as Louise Bourgeois or Eva Hesse, Kusama has a very distinctive and individual place in the history of contemporary art. With her unrivaled eye of color, pattern and sinuous baroque form, the avant-garde artist developed Flowers That Bloom at Midnight - an exuberant series of fifteen unique sculptures cast in fiberglass reinforced plastic and painted by hand - following major permanent sculptural commissions for public, among them Tulipes de Shangri-La (2003), Lille, France, and The Hymn of Life: Tulips (2007), Beverly Hills City Council, Los Angeles.

Yayoi Kusama lives and works in Tokyo. Her work is collected by leading museums worldwide including the Museum of Modern Art, NY; LACMA, Los Angeles; Tate Modern, London, and many more.

Flowers That Bloom at Midnight is currently on view at the Jardins des Tuileries, Paris.
December 1, 2011 - Spring 2012

Yayoi Kusama
Flowers That Bloom at Midnight 





A look at the "Yayoi Kusama" exhibition at the Centre Pompidou, a retrospective of the artist's work since her departure from Japan.


Centre Pompidou
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Takashi Murakami's Erotic Show at Gagosian London

Takashi Murakami's latest group of paintings explores his complex ambivalence to the legacy of cosmopolitan painter Kuroda Seiki, who brought Western-style painting to Meiji-period Japan. Kuroda broadly promoted the genre of history painting, as well as the validity of the nude figure as a subject for art. Taking Kuroda's famous triptych, Wisdom, Impression, Sentiment (c.1900), Murakami consciously reclaims it in a new iteration by applying traditional nihonga techniques, as well as recasting the realistically rendered nude figures in contemporary manga style.

In Murakami's paintings such as Shunga: Gibbons and Shunga: Bow Wow, graphic depictions of exaggerated and engorged male and female genitals are set against delirious backgrounds of image and pattern. The Shunga theme continues into life-size sculptures, such as Nurse Ko2, a leggy, busty verticality figure with a sexy uniform, or 3-Meter Girl, an absurdist composition that pushes form and content to extremes. She stands with feet spread wide, her petite body against the whooping pendular breasts whose size and weight threaten to topple her.


Takashi Murakami was born in 1962 in Tokyo. His most recent large-scale exhibition was held at the Chateau de Versailles, France in 2010. He lives and works in Tokyo, New York, and Los Angeles.


3-Meter Girl, 2011
All Artworks @Takashi Murakami / Kaikai Kiki Co., Ltd. All Rights reserved
Photography by Mike Bruce/ Courtesy of Gagosian Gallery
All Artworks @Takashi Murakami / Kaikai Kiki Co., Ltd. All Rights reserved
Photography by Mike Bruce/ Courtesy of Gagosian Gallery


All Artworks @Takashi Murakami / Kaikai Kiki Co., Ltd. All Rights Reserved
Photography by Muir Vidler / Courtesy of Gagosian Gallery

Nurse Ko2
All Artworks @Takashi Murakami/ Kaikai Kiki Co., Ltd. All Rights Reserved
Photography by Mike Bruce/ Courtesy of Gagosian Gallery

All Artworks @Takashi Murakami/ Kaikai Kiki Co., Ltd. All Rights Reserved
Photography by Mike Bruce/ Courtesy of Gagosian Gallery

Big Box PK02
All Artworks @Takashi Murakami/ Kaikai Kiki Co., Ltd. All Rights Reserved
Photography by Mike Bruce/ Courtesy of Gagosian Gallery

All Artworks @Takashi Murakami/ Kaikai Kiki Co., Ltd. All Rights Reserved
Photography by Mike Bruce/ Courtesy of Gagosian Gallery

Overview
All Artworks @Takashi Murakami / Kakai Kiki Co., Ltd. All Rights reserved
Photography by Mike Bruce / Courtesy of Gagosian Gallery



Takashi Murakami 
June 28 - August 5, 2011
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