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Showing posts with label Masks. Show all posts
Showing posts with label Masks. Show all posts

Irving Penn: Radical Beauty 1946-2007

Known for depicting his subjects with a rare combination of precision and compositional elegance, Irving Penn's work contrasts elements of the grotesque and the sublime. Throughout his early career as a photographer at Vogue, and then later in his personal work, he consistently questioned and reinvented the parameters of physical beauty. His early nudes, from the late 1940s, were not exhibited until over three decades later.

The thirty photographs on view at Fraenkel Gallery explore Penn's radical and long-standing investigation into what constitutes beauty, an aspect of his career that has received only passing attention. His subjects, from the highlands of Papua New Guinea to the high-society of the fashion world, are presented as distinct and particular. Several images in the exhibition, obscures faces - Canvas Head With Hardware (design by Jun Takahashi) and Football Face, among others - alluding to the masks of fashion and persons.

Later in his career, Irving Penn traveled the globe photographing indigenous people in a stimulated, portable studio, producing memorable images from Africa, South America, and Papua New Guinea. Numerous books on his work have been published.


Irving Penn
Canvas Head With Hardware (Design by Jun Takahashi), New York, 2006
Copyright by Conde Nast Publications, Inc

Chanel Feather Headdress (B), New York, 1994
Copyright by the Irving Penn Foundation

Hell's Angel (Doug), San Francisco, 1967
Copyright by the Irving Penn Foundation

Mouth (for L'Oreal), New York, 1986
Copyright by the Irving Penn Foundation

Sweetie (A), New York, 1986
Copyright by Conde Nast Publications, Inc

Irving Penn: Radical Beauty 1946-2007
Currently on view at Fraenkel Gallery, San Francisco
June 30 - August 20, 2011

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Who is Madame Peripetie, part two

Madame Peripetie aka Sylwana Zybura is a polish photographer based in Germany. Unfortunately there is very little info about her, except for the details I provided on an earlier post. The conceptual photographer is greatly influenced by surrealism, dadaism as well as the new wave era of the 80s, British post punk scene and the avant-garde theater of Robert Wilson.

Her latest series of photographs titled "Birds for Tata Christiane" are as striking as her older photographic works.

Birds for Tata Christiane










Courtesy Madame Peripetie
This post is also featured on the Huffington Post
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Milton Becerra: Drawing Now Paris! A series of Masks

Born in 1951, in Tachira Venezuela, Milton Becerra began exhibiting his works in 1970, while still a student at Cristobal Roja School of Plastic Arts in Caracas. He won the first prize in the third Salon Nacional de Jovenes Artistas (National Salon of Young Artists) in 1973. In the same year he held his first solo exhibition at the Caracas Athenaeum.
In 1976, after his first exhibition at the Caracas Museum of Contemporary Art, he began a series of explorations of natural landscape, to depict the manner in which the rivers are becoming polluted and the devastation of the land, influenced by Land Art movement of the time, marking the introduction of the movement in Venezuela.

Milton Becerra offers a balance between the modern civilization and the most primitive and ancestral elements of the human culture. He is well known for his aerial installations, where ropes and stones intertwine to form large structures.
In 1980, Becerra moved to Paris, where he still works and resides. His work is represented in numerous museums, foundations, and private collections internationally.

" Drawing Now Paris," a series of Masks, Becerra's solo show will be on view at The Carrousel du Louvre March 25-28.
Forcefully reviving the old figures of Indian gods inhabiting the banks of Orinoco, Venezuela, Milton Becerra's drawings are not, strictly speaking, mere works of art, they are also here to provide a spiritual force.

Serie Copiar Cortar
Phacelia Tanacetifolia, 2004, Drawing on paper

Mask, 2004

Details

Untitled, 2002, Drawing on paper and cotton fibers

Turtle, 2002, Drawing on paper and cotton fibers

Mujer I, 2003

Mujer IV, 2003

Mujer V, 2003, Drawing on paper and cotton fibers


All images, courtesy Galerie13Jeanette Mariani


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